Bugsy Malone

Bugsy Malone is a slapstick musical comedy set in New York, 1929. Gang warfare is rife in the prohibition-era city, and the play revolves around one Bugsy Malone as he tries to walk the line between law-abiding citizen and criminal. Based loosely on the real-life events of the late 1920’s and gangsters like Al "Scarface" Capone and Bugs Moran, the play is the jaunty take on the world of sharp suits, fast cars and sub-machine guns, not infrequently stored in violin cases.

Last year’s CLS exceptional production of Oliver meant that expectations were high for a sold-out performance with standing room only. The play began with a typical edge as a gangster was gunned down or "splurged" as it’s called in the play that continued throughout the performance, even splurging some of the audience members.

The production’s first night was a resounding success, with the cast performing perfectly, the stage crew changing scenes with rehearsed certainty and the live jazz band playing flawlessly. Music played a key role in the events to come, adding the extra atmosphere and building tension when appropriate . The bass and percussion contributions were particularly notable. The musical director, Mr Holiday, commented, "I’m very proud of the cast who have made the production a pleasure; it’s been a stunning success."

The acting itself was convincing and comical, with leads Bugsy and Blousey playing off each other well and one-liners littered throughout the script made the plot move at a quick pace. Bugsy said, "It’s been really fun, and the play’s really enjoyable," and Blousey commented, "It’s needed lots of concentration but it’s really great." Miss Dobson, the director, said finally, "I’m really pleased with the first night, the cast and crew’s energy levels have been 110%."

Of course a musical would be nothing without a matching score, and each number was well delivered by a variety of gangsters, showgirls and janitors. The technicians were busier and better than ever, handling spotlights, sound cues and microphones. The fantanstic head of the fabulous team, Jack Hughes was too overwhelmed by the first night to comment, but an underling said, "It’s like having your own really frantic private army." One stagehand claimed that he "saved the play single-handedly." He didn’t go into how...., another complained about having to wear horrible black uniforms and getting hit by furniture.

Overall, the play was enjoyable and well worth this reporter’s evening.

Thomas Barry 4M